The film is clearly an Italian horror flick in
the vein of something Dario Argento might make, but the film's director
(Antonio Mancino) won't call it "horror." He has loftier ideas for
his film, which is ironic, considering BERBERIAN is, itself, a horror movie,
and also, a great art film.
I've heard BERBERIAN compared to the works of
David Lynch and I'd say that's an apt comparison. We've got a fairly meek main
character, in exaggerated surroundings, conflicting with aggressive characters,
beset on all sides by confusion. Of course a film about a sound studio has to
have great sound design, so music, vocals and sound effects are used to great
effect to ratchet up the uneasy and surreal qualities of the story. For most of
the movie, I was just as out of sorts as the main character was, and that's
clearly what Strickland wanted.
This is the kind of film it is hard to
describe because so much of it is a sensory experience. The plot is not what's
important, and even to an extent, the characters are not really what's
important, either. It's all about how the movie makes you feel, how the editing
and sound and images come together to just put you on edge the entire running
time. It's not horror in the classic sense, but it is horrifying.
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