The 2nd greatest Italian
master of horror, Dario Argento, returns to Horrorfest with 1980's INFERNO.
This movie has all the strengths and weaknesses of your average Argento flick.
It never reaches the heights of greatness of his best work (DEEP RED) but it is
definitely worth checking out.
INFERNO stars Leigh McCloskey as a music
student in Rome who travels to New York to investigate some strange happenings
when both his sister (Irene Miracle) and classmate (Eleonora Giorgi) are
murdered in connection with a book called "The Three Mothers." The
book claims 3 evil sisters control the world and live in buildings spread
across the globe that the author, an architect, built.
One of the weaknesses of the movie is the pay
off of this set up. The first half of the film, when we don't know what's going
on, is one spectacular set piece after another, each featuring a different
character. I like how it jumps from one character to another, just to have them
dispatched, before eventually settling on a main character about halfway
through the movie. When it does settle down, though, is when you want it to
kind of start making sense, and it never really does.
This is both the genius of Argento and the
drawback – the limitless imagination brings thrilling scenes, like a woman
ill-advisedly swimming into a water-filled hole in the basement of her building
only to be confronted with a corpse and unable to find her way out again, or
another woman encountering a hell-like dungeon in the depths of a library
inhabited by a sinister cloaked figure. But, they never quite add up. So you
have to decide: you want style or substance?
Speaking of style, there's plenty of it. Like
all Argento films, this one has beautiful, bright cinematography full of
skillfully placed primary colors. It's just great to look at. The opening few
scenes that kept me guessing and the beautiful images throughout were enough to
keep me entertained, even if the story was lacking.
No comments:
Post a Comment