Thursday, February 5, 2015

Romancefest 2015: The Best Years of our Lives

I've been meaning to see THE BEST YEARS OF OUR LIVES for a long time. This 1946 flick straight out of Hollywood won the Academy Award for Best Picture and it's easy to see why – the subject matter, both heavy and timely, is dealt with in a way that was ahead of its time.

The film, directed by William Wyler, concerns three WWII vets who all return home together to the same small town and must face the ways the world has changed and the ways the war has changed them.

I don't think they had a name for it then, but the movie's about PTSD. It's also about alcoholism, and learning how to live with disabilities. It's three hours long but doesn't feel like it. All three main characters are well played, and each have their big moments.

Fredric March stars as the eldest of the trio, a Sgt. 1st Class who returns home to his wife (Myrna Loy) and two kids who have grown up without him. He turns to alcohol to help him through the ups and downs of getting reacquainted with his family and finding a job.

Dana Andrews is the highest ranking of the group, a Captain who is returning home to a wife he barely knows (Virginia Mayo). His newly found sense of responsibility and leadership doesn't mesh well with the only job he's qualified for back home: working as a soda jerk and salesman at a drugstore.

Perhaps most memorable of all is Harold Russell as a petty officer who lost both his hands in the war and returns home with a set of hooks. He's quite adept at using them, but is nervous about returning to his fiancé (Cathy O'Donnell), so much so that he pushes her away before she has a chance to show the way she feels. Russell actually lost his hands in real life, so this brings a unique stamp of gritty realism to the Hollywood-slick production.

A forbidden romance blossoms between March's daughter (Teresa Wright) and Andrews, as the idealistic young girl vows to breakup the returning soldier's sour marriage to a materialistic party girl.


Some of the film's most effective scenes take place at the local watering hole, run by Russell's uncle (Hoagy Carmichael) who dispenses advice and plays the piano. The three guys who were once kings of their town and great warriors now retreat to the bar as fish out of water, outcasts in their own homes, where they only feel at home slapping each other on the back and only feel like slapping each other on the back when they're three sheets to the wind.

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