Let's
do two movies directed by women in a row! Next we have NEAR DARK, the 1987
vampire flick by Kathryn Bigelow, who recently enjoyed critical success with
ZERO DARK THIRTY and THE HURT LOCKER, but who is also comfortable slumming it
in action classics like POINT BREAK.
Here
she's in slum mode with this quick and dirty little vampire yarn about a cowboy
(Adrian Pasdar) who is seduced by a vampire (Jenny Wright) who is passing
through town with her makeshift vampire family. At first left to dry up in the
sun as he slowly transforms into a vampire, the vampire clan takes pity on the
cowboy and swings by to pick him up in their RV. His father (Tim Thomerson) and
sister (Marcia Leeds) witness the abduction and give chase.
The
vampire clan is led by the always great Lance Henriksen and includes the also
always great Bill Paxton. At first the cowboy is reluctant and wants to get
away, but he wavers between the possibility of continuing some kind of
existence with the immortal family and the impossibility of returning to a
normal life.
This is
a no nonsense flick that has a great pace and speeds to a logical conclusion.
Even the characters don't have much time for nonsense. For example: after the
cowboy is kidnapped, he doesn't just go along for the ride. The first chance he
gets, he simply walks to the nearest bus station and hops a bus home.
Similarly, his family doesn't just sit around figuring he's gone forever. They
get off their asses and hunt the vampires down.
NEAR
DARK benefits from having common sense, so it's smarter than most other movies
of its kind. It also doesn't aim too high – it shoots straight for the middle,
and does that really well. The performances are all high octane, especially
Henriksen and Paxton, and Bigelow shows early on that she has the chops to make
a mean movie.
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