What a
beautiful movie! Ang Lee's Taiwanese flick from 1994, EAT DRINK MAN WOMAN, is
beautiful not only to look at but also in spirit. This is really a "warm
fuzzy" movie, as they used to say in pre-school.
Sihung
Lung stars as a widowed father of three daughters, all of whom still live at
home. They're all pursuing their individual lives and are getting ever closer
to leaving the nest, and the only time they spend together is an elaborate
weekly dinner Lung prepares for them.
Much of
the movie's magic comes from the close attention paid to the rituals of cooking
and eating. Lee's camera lovingly studies every ingredient, every method, every
detail of Lung's (and others') complex, beautiful, fragrant, delicious dinners.
Lee even captures the beauty and chaos behind the scenes of a giant restaurant
kitchen, his camera floating freely amid the confusion.
The
oldest daughter (Kuei-Mei Yang) has been single ever since her heart was
broken, recently converted to Christianity, and teaches at a school where
mysterious love notes have started showing up for her.
The
middle daughter (Chien-lien Wu) is a successful executive at an airline who has
recently purchased her own apartment and scored a promotion. She's also the
only daughter to follow in her father's culinary footsteps, lamenting she was
never allowed to cook since her father was always in charge, but that she loved
playing in the kitchen when she was a child, and can now whip up a feast
rivaling those of her father's when she visits her boyfriend.
The
youngest daughter (Yu-Wen Wang) is a college student who works at a Wendy's and
strikes up a relationship with her co-workers on-again/off-again boyfriend.
The
passage of time is measured in who shows up to dinner, how many, who doesn't.
All major family moments happen at the weekly feasts, usually in the form of
announcements from the daughters. Dad's not always the most open, but he
eventually does open up after a little booze in an amusing scene near the end
of the flick.
There
are a lot of little things to love about this movie, including a subplot in
which Lung goes out of his way to start cooking a multi-course lunch for his
elementary-age niece.
EAT
DRINK MAN WOMAN does one of my favorite things that great movies do: it pays
great attention to detail. This is not a story about the comings and goings in
a general family. This is a very specific family, in a very specific place. The
setting is vividly drawn through the use of the food, and that alone makes the
movie unforgettable.
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